1. Weigend A. Big Data. Vsya tekhnologiya v odnoy knige [Big Data. All the Technology is in the Same Book]. Moscow, Eksmo, 2018. (In Russ).
2. Ivanov V. N., Nazarov M. M. Massovaya kommunikatsiya v usloviyakh globalizatsii [Mass Communication in the Age of Globalization]. Sotsiologicheskie issledovaniya [Sociological Studies], 2003, No. 10, pp. 20-29. (In Russ).
3. Ponarina N. N. Globalizatsiya: mirovaya kultura i lokalnye kultury [Globalization: World Culture and Local Cultures]. Obshchestvo: filosofiya, istoriya, kultura [Society: Philosophy, History, Culture], 2011, No. 3-4, pp. 36-40. (In Russ).
4. Heidegger M. Istok khudozhestvennogo tvoreniya [The origin of the Work of Art]. Moscow, Akademicheskiy proekt, 2008. (In Russ).
5. Hesmondalgh D. Kulturnye industrii [The Cultural Industries]. Moscow, the Higher School of Economics, 2018. (In Russ).
6. Bagella M., Becchetti L. The Determinants of Motion Picture Box Office Performance: Evidence from Movies Produced in Italy. Journal of Cultural Economics, 1999, Vol. 23, Issue 4, pp. 237-256.
7. Bekker G. The Economic History of the International Film Industry. EH.Net Encyclopedia, 2008. Available at: http://eh.net/encyclopedia/the-economic-history-of-the-international-filmindustry
8. Cameron S. Cinema. Towse R. (ed.) A Handbook of Cultural Economics. Cheltenham, Edward Elgar, 2011.
9. Campbell K. Is Netflix killing cinema? New Statesman, 2019. Available at: https://www.newstatesman.com/culture/film/2019/02/netflix-killing-cinema
10. Caves R. E. Creative Industries: Contracts between Art and Commerce. Cambridge, Harvard University Press, 2000.
11. Crane D. Cultural Globalization and the Dominance of the American Film Industry: Cultural Policies, National Film Industries, and Transnational Film. International Journal of Cultural Policy, 2014, Vol. 20, Issue 4, pp. 365-382.
12. De Valck M. Supporting Art Cinema at a Time of Commercialization: Principles and Practices, the Case of the International Film Festival Rotterdam. Poetics, 2014, Vol. 42, pp. 40-59.
13. De Vany A. Hollywood Economics: How Extreme Uncertainty Shapes the Film Industry. London, Routledge, 2003.
14. Drucker P. F. Post-Capitalist Society. Oxford, Butterworth-Heinemann, 1993.
15. Follows S. How important is international box office to Hollywood. Stephen Follows: Film Data and Education, 2017. Available at: https://stephenfollows.com/important-internationalbox-office-hollywood
16. Follows S. The Economics of Netflix. Stephen Follows: Film Data and Education, 2015. Available at: https://stephenfollows.com/the-economics-of-netflix
17. Gomez-Uribe C. A., Hunt N. The Netflix Recommender System: Algorithms, Business Value, and Innovation. ACM Transactions on Management Information Systems, 2016, Vol. 6, Issue 4.
18. Hans S. Screening out Netflix is the real danger to future of film. The Guardian, 2019. Available at: https://www.theguardian.com/film/2019/apr/07/banning-netflix-real-dangerfilms-future
19. Hennig-Thurau T., Houston M. B., Walsh G. Determinants of Motion Picture Box Office and Profitability: an Interrelationship Approach. Review of Managerial Science, 2007, Vol. 1, Issue 1, pp. 65-92.
20. Henten A., Tadayoni R. Digitalization. Towse R. (ed.) A Handbook of Cultural Economics. Cheltenham, Edward Elgar, 2011.
21. Hill J., Kawashima N. Introduction: Film Policy in a Globalised Cultural Economy. International Journal of Cultural Policy, 2016, Vol. 22, Issue 5, pp. 667-672.
22. Jedlowski A. What Netflix’s involvement in Nigeria’s massive film industry really means. The Conversation, 2018. Available at: https://theconversation.com/what-netflixsinvolvement-in-nigerias-massive-film-industry-really-means-108832
23. Jin D. Y. Digital Platform as a Double-Edged Sword: How to Interpret Cultural Flows in the Platform Era. International Journal of Communication, 2017, Vol. 11, pp. 3880-3898.
24. Jin D. Y. The Construction of Platform Imperialism in the Globalization Era. Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society, 2013, Vol. 11, Issue 1, pp. 145-172.
25. Klinger B. Beyond the Multiplex: Cinema, New Technologies, and the Home. Oakland, University of California Press, 2006.
26. Koblin J. Netflix Says It Will Spend Up to $8 Billion on Content Next Year. The New York Times, 2017. Available at: https://www.nytimes.com/2017/10/16/business/media/netflixearnings.html
27. Kohn E. Christopher Nolan Says He Would Never Work with Netflix. Indiewire, 2017. Available at: https://www.indiewire.com/2017/07/christopher-nolan-interview-dunkirknetflix-1201857101
28. Lattanzio R. Alejandro Gonzalez Inarritu Compares Modern Cinema to a ‘Whore That Charges Money’. Indiewire, 2019. Available at: https://www.indiewire.com/2019/08/alejandro-g-inarritu-sarajevo-film-festival-1202167097
29. Lobato R. Rethinking International TV Flows Research in the Age of Netflix. Television & New Media, 2018, Vol. 19, Issue 3, pp. 241-256.
30. Lorenzen M. Internationalization vs. Globalization of the Film Industry. Industry and Innovation, 2007, Vol. 14, Issue 4, pp. 349-357.
31. Plummer L. This is how Netflix’s top-secret recommendation system works. Wired, 2017. Available at: http://www.wired.co.uk/article/how-do-netflixs-algorithms-work-machinelearning-helps-to-predict-what-viewers-will-like
32. Rathore I. Number of Netflix Streaming Subscribers, by Region. Dazeinfo, 2019. Available at: https://dazeinfo.com/2019/01/07/number-of-netflix-streaming-subscribers-usinternational-dgraph
33. Sontag S. The decay of cinema. New York Times, 1996. Available at: https://www.nytimes.com/1996/02/25/magazine/the-decay-of-cinema.html.
34. Spangler T. Netflix Content Chief Says 85% of New Spending Is on Originals. Variety, 2018. Available at: https://variety.com/2018/digital/news/netflix-original-spending-85-percent-1202809623
35. Tefertiller A. Moviegoing in the Netflix Age: Gratifications, Planned Behavior, and Theatrical Attendance. Communication & Society, 2017, Vol. 30, Issue 4, pp. 27-44.
36. Van der Voet J. How Netflix is Changing the Entertainment Industry. EBF Groningen, 2017. Available at: https://screenrant.com/netflix-original-anime-series-future
37. Woo G. Netflix Announces Plans for Many New Original Anime Series. Screenrant, 2019. Available at: https://screenrant.com/netflix-original-anime-series-future
38. Wright C. Reconciling Cultural Diversity and Free Trade in the Digital Age: a Cultural Analysis of the International Trade in Content Items. Akron Law Review, 2015, Vol. 41, Issue 2, pp. 399-505.